Actualización noviembre 2020
Contenido:
- Real Decreto 2063/2004, de 15 de octubre, por el que se aprueba el Reglamento general del régimen sancionador tributarioIncluye notas al pie de página e índices sistemático y analítico.
ISBN: 9788447610549
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Fecha de edición | 13/04/2021 |
---|---|
Número de Edición |
1 |
Idioma | |
Formato | |
Páginas |
50 |
Lugar de edición |
MADRID |
Colección |
TEXTOS LEGALES MINISTERIO DE HACIENDA |
Encuadernación |
Actualización noviembre 2020
Contenido:
Introduction
Aga Skrodzka
Part I. Material Cultures, Technologies, Industries
1. Socialist Domestic Infrastructures and the Politics of the Body: Bucharest and Havana
Iulia Stătică
2. Architecture in Series: Housing and Communist Idealism
Kimberly Zarecor
3. Restating Classicist Monumentalism in Soviet Architecture, 1930s-early 1950s
William C. Brumfield
4. Esfir Shub’s KShE (1932) and the Movement of Energy
Joshua Malitsky
5. Soviet Wall Newspapers: Social(ist) Media of an Analog Age
Birgitte Beck Pristed
6. Red Stars, Biorhythms, and Circuit Boards: Do-It-Yourself Aesthetics of Computing and Computer Games in Late Socialist Czechoslovakia
Jaroslav Švelch
7. Machines, Nations, and Faciality: Cultivating Mental Eyes in Soviet Books for Children
Serguei Alex. Oushakine
Part II. Institutional Discourses, Communist Visions, Theory
8. Who Doesn’t Like Aleksander Kobzdej? State Artist’s Career in the People’s Republic of Poland
Magdalena Moskalewicz
9. «How To» Make Art in Communist China
Vivian Li
10. Visions and Visualization of Sustainability: Leningrad Designers in Search of Soviet Recycling System, 1981-84
Yulia Karpova
11. Shaping the Avant-garde: The Reception of Soviet Constructivism by the American Art Journal October
Pablo Müller
12. A Time Lag of defa-futurum: A Socialist Cine-futurism from East Germany
Doreen Mende
13. The Visitation of the Idea: Badiou on Film and Communism
Rohan Kalyan
Part III. International and Intercultural Dimensions
14. In the Name of Internationalism: The Cinematic Memorialization of Norman Bethune in Socialist China
Xiaoning Lu
15. Listening Between the Images: African Filmmakers’ Take on the Soviet Union, Soviet Filmmakers’ Take on Africa
Lindiwe Dovey
16. Brothers at War: The Images of Prison S-21 (Tuol Sleng) in the Framework of Intra-Communist Conflicts
Vicente Sánchez-Biosca
17. The Constructivist Sartorial Utopia and Its Revolutionary Potential: Then and Now
Djurdja Bartlett
18. «Socialist Realist» Critiques of Neoliberal Shock Therapy: East German Artists Respond to the 1973 Putsch in Chile
April A. Eisman
Part IV. Visual Production and Strategic Spectacles
19. Beauty and Quality for All: A Vision of Fashion under Cuban Socialism
María A. Cabrera Arús
20. Disappearing from the Picture? Female Figures in Pattern Books of the Mao Years
Antonia Finnane
21. The Subject Who Knows: Photographers and Photographed in a Late East Germany
Sara Blaylock
22. Two Worlds: Boris Efimov, Soviet Political Caricature, and the Construction of the Long Cold War
Stephen M. Norris
23. The Lyrical Subversions of Socialist Realism in Dang Nhât Minh’s New Wave Cinema
Dana Healy
24. The Montage Connection between John Heartfield and László Lakner: Artistic Dissidence and a New Leftism in Sixties Europe
Cristina Cuevas-Wolf
25. Visual Regimes of Juche Ideology in North Korea’s The Country I Saw
Travis Workman
Part V. After-images, Memory, Legacy
26. Television and The Good Times of Socialism
Anikó Imre
27. Futures Remembered: Kosmonauts, the GDR, and the Retrospective Impulse
Nick Hodgin
28. Contesting the Cuban Soviet Visual Rhetoric for the Present
Jacqueline Loss
29. Komunistki: Visual Memory of Female Communist Agency
Aga Skrodzka
30. Specters of Europe and Anti-communist Visual Rhetoric in the Romanian Film of the Early 1990s
Constantin Parvulescu and Claudiu Turcuş
31. Lenin in Los Angeles: Counter-Memories, Recycling Socialism
Katarzyna Marciniak
Coda: Flashes of Arab Communism
Laura Marks
Edited by Aga Skrodzka, Associate Professor of Film and Media Studies, Clemson University, Xiaoning Lu, Lecturer in East Asian Languages & Cultures, University of London, and Katarzyna Marciniak, Professor of Transnational Studies, Ohio
Aga Skrodzka is Associate Professor of Film and Media Studies at Clemson University, where she spearheaded the creation of the World Cinema Program. She is the author of Magic Realist Cinema in East Central Europe and a forthcoming book on the figure of the sex slave in visual culture.
Xiaoning Lu is Lecturer in East Asian Languages & Cultures at SOAS, University of London. Her research, which focuses on Chinese socialist cinema and culture, has appeared in journals and edited collections including the Journal of Chinese Cinemas, Journal of Contemporary China, Maoist Laughter, and Words and Their Stories: Essays on Chinese Revolutionary Discourse.
Katarzyna Marciniak is Professor of Transnational Studies at Ohio University, where she specializes in the discourses of immigration and foreignness. She is the author of Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland and co-editor of Teaching Transnational Cinema: Politics and Pedagogy and Transnational Feminism in Film and Media.
Contributors:
Djurdja Bartlett, Reader in Histories and Cultures of Fashion, University of the Arts London
Sara Blaylock, Assistant Professor of Art History, University of Minnesota Duluth
William C. Brumfield, Professor of Slavic Studies and Sizeler Professor of Jewish Studies, Tulane University
María A. Cabrera Arús, Craig M. Cogut Visiting Professor, Brown University
Cristina Cuevas-Wolf, Independent Scholar and Curator, Resident Historian, Wende Museum
Lindiwe Dovey, Professor of Film and Screen Studies, SOAS University of London
April Eisman, Associate Professor of Art History, Iowa State University
Antonia Finnane, Honorary Professor in the School of Historical and Philosophical Studies, University of Melbourne
Dana Healy, Senior Lecturer in Vietnamese Studies, SOAS University of London
Nick Hodgin, Lecturer in German Studies, Cardiff University
Anikó Imre, Professor of Cinema and Media Studies, School of Cinematic Arts, University of Southern California
Rohan Kalyan, Assistant Professor of International Studies, Virginia Commonwealth University
Yulia Karpova, Assistant Archivist at Open Society Archives at Central European University
Vivian Y. Li, The Lupe Murchison Curator of Contemporary Art, Dallas Museum of Art
Jacqueline Loss, Professor of Latin American Literary and Cultural Studies, University of Connecticut
Xiaoning Lu, Lecturer in East Asian Languages & Cultures, SOAS, University of London
Joshua Malitsky, Associate Professor of Cinema and Media Studies, Indiana University
Katarzyna Marciniak, Professor of Transnational Studies, Ohio University
Laura U. Marks, Grant Strate University Professor in Contemporary Arts, Simon Fraser University
Magdalena Moskalewicz, Lecturer of Art History, Theory and Criticism, School of the Art Institute of Chicago
Doreen Mende, Associate Professor in Visual Arts, HEAD Geneva University of Art and Design
Pablo Müller, Senior Research Associate, Lucerne University of Applied Sciences and Arts
Stephen M. Norris, Walter E. Havighurst Professor of Russian History and Director of the Havighurst Center for Russian and Post-Soviet Studies, Miami University
Serguei Alex. Oushakine, Professor of Anthropology and Slavic Languages and Literatures, Princeton University
Constantin Parvulescu, Senior Researcher in Film and Media Studies, Babes-Bolyai University
Birgitte Beck Pristed, Associate Professor of Russian Studies, Aarhus University
Vicente Sánchez-Biosca, Professor in Film Studies and Visual Culture, University of Valencia
Aga Skrodzka, Associate Professor of Film and Media Studies, Clemson University
Iulia Stătică, Visiting Scholar at the Mario Einaudi Center for International Studies, Cornell University
Jaroslav Švelch, Assistant Professor of Media Studies, Charles University
Claudiu Turcuş, Associate Professor in Film and Literary Studies, Babes-Bolyai University
Travis Workman, Associate Professor in Asian and Middle Eastern Studies, University of Minnesota, Twin Cities
Kimberly E. Zarecor, Professor of Architecture, Iowa State University